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Have you found a
classical music
program that works
for your preschool
children as well as for
your older children?
Do they become excited
about classical
music? Since classical
music is much more complex than popular
music, children need some special way
to “connect” to it.
Theme Recognition
In order to listen to classical music with
understanding and pleasure, children, as
well as adults, must recognize the main
themes, the melodies. As a music teacher,
I tried many different ways to teach classical
music. The children liked the music,
but there was no great excitement. Then,
just for fun, I wrote simple lyrics for a few
classical music themes. They included the
names of both composer and composition.
These were the themes the children
asked to sing again and again. They loved
them, remembered them, and wanted to
play them on an instrument. I have found
that theme recognition is a “must” and
that lyrics are the key to remembering
classical music themes. Lyrics make the
abstract concrete.
Developing and Producing a Curriculum
I was very disturbed with much of
the popular music bombarding the ears
of our children. I knew that if I could
“hook” children on classical music when
they are very young, they would have a
lifetime adventure with quality music. It
would enrich their entire lives. It became
a mission for me to develop a curriculum
and produce the materials to achieve my
objectives.
As I look back, I am amazed at how
God worked in our lives to provide the
people we needed to make the project
work. My husband, a retired engineer, and
I volunteered to spend
two years in Oaxaca,
Mexico, with Wycliffe
Bible Translators teaching
the children of missionaries. He
taught science and math, and I taught history,
literature, and music. While there I
wrote lyrics to 100 of the most beautiful
classical music themes and taught them to
my students. I was amazed at how quickly
they learned the themes and how well they
remembered them. These lyrics became
the foundation of my program.
One of my literature students sat in my
classes every day and drew. When I was
teaching Beowulf, he was drawing dragons
and Viking ships! I was a bit peeved
until I asked him questions and found that
he had indeed been listening. I let him
draw. He is now in graduate school studying
Bible history and youth ministry. He
is the creative young artist who draws the
delightful illustrations for our books.
When we returned to the United States,
we formed a company, Classical Magic,
to produce and publish our books with
CDs and related teaching materials. We
found a local Christian recording studio
and music students from nearby Appalachian
State University in Boone, North
Carolina, to record the music and lyrics
on CDs that are included in each book.
We also needed a portrait artist and had
no idea where to find one. An acquaintance
of one of our daughters happened to
be a professional portrait artist. She produced
the 41 wonderful
composer portraits in the books.
An illustrator, a recording studio, musicians,
and a portrait artist—not an accident.
God provided all we needed to accomplish
our mission.
Teaching Materials
The Classical Magic® series includes
four library-quality books with CDs:
Themes to Remember, Volumes 1 and 2;
Classical Karaoke for Kids; and Antonin
Dvorák, From the New World, with Lyrics.
Teacher’s guides, enlarged composer
portraits, and reproducibles of lyrics with
illustrations enhance the program.
The Basic Program
I have found that adults are sometimes
so serious about classical music that they
get bogged down with concepts and composer
facts, and the children tune out! I
urge teachers to remember that theme and
composer recognition is basic and that lyrics
are the best way to remember classical
music themes. We must “hook” children
on the themes first and teach concepts
later. It is important to teach many themes
quickly to build excitement for and love of
classical music.
One of the best strategies is to use
games. Each classical music theme has
two CD tracks, the first with music only
and the second with music and lyrics.
This format works well for “Name That
Tune.” Children feel good when they can
identify a classical music theme and name
the composer.
Add a karaoke element to the fun. If a
child names the tune, let him sing a solo
with the music. A microphone, real or
pretend, will often change shy children
into entertainers.
Children love to show adults how
much they know. A mother told me that
during a TV commercial her kindergarten child’s eyes lit up as she exclaimed,
“Mom, listen! That’s Beethoven’s Fifth.”
She was right.
Another mother told me that when her
children watch Looney Tunes, they are
continually recognizing classical music
themes. She’s heard, “Mom, that’s
Schubert’s Unfinished symphony,” or
“That’s Strauss’s Blue Danube waltz.”
Children will recognize classical music
in malls, commercials, cartoons, cell
phones, and especially in Looney Tunes.
You’ll be amazed when they tell you that
they are hearing Mozart or Haydn or
Wagner.
Beyond the Basics
Once children have learned the basic
themes and are excited about classical
music, it is easy to incorporate it into your
curriculum.
Literacy
- Read the lyrics while singing to develop the rhythm of the language and promote fluency.
- Use the lyrics to find beginning sounds and rhyming words.
- Use the lyrics to build vocabulary.
- Motivate children to read great literature and mythology, ballet and opera stories, biographies, and folktales.
History, Geography, and Cultures
- Piano (a quiet kitty) and Forte (a rather noisy little dog) appear in illustrations throughout the books. They introduce each musical period dressed in clothing of that period. The music periods can become a historical filing system for other subjects.
- Use maps to find the homelands of the composers and the setting for myths and folktales.
- Through the lyrics and lives of the composers, children learn about other cultures and countries in the world.
The Arts: Drama, Dance
- Many lyrics lend themselves to actions or mini-dramas. Encourage children to use their imaginations.
- Stories such as that of Peer Gynt in the Hall of the Mountain King are made for drama.
- Children can draw or paint as they listen to the recorded music.
- Use marionettes, nutcrackers, scarves, rhythm instruments, and flags.
- Interact with the music—dance, march, sway, or make up actions.
Music Concepts
Once you have children excited about
classical music, you can teach music concepts
and analyze and describe the music.
This is an option for those who want their
children to be more informed about music.
The books define musical terms, and
the teacher’s guides give aid on how to
teach many concepts.
The Classical Magic program includes
many types of classical music—symphonies,
sonatas, concertos, operas, ballets,
and serenades, to name a few. It includes
many stories that children can read. The
books are organized by musical period,
but I suggest that you select the easiest
themes first. A recommended order
of teaching is included in the Teacher’s
Guide for Volume 1 and on our website.
You may feel that you can’t add anything
more to your curriculum. Let classical
music help you save time and have
more fun. Play themes at the start of the
day to improve moods. Use it as a reward
after a hard session of work. Very few
themes are more than one minute long.
They will take very little time from a busy
schedule. Sing along in the car. It makes
the time fly and improves attitudes.
No previous music experience is
needed to use the program. It works especially
well for homeschoolers since you
can play the music every day, not just on
“music day.”
The Goal
The aim of Classical Magic is to develop
intelligent, joyful listeners of classical
music. The lyrics are tools to inspire
children to listen to fully orchestrated
music of complete works.
Antonin Dvorák’s From the New World,
with lyrics, prepares a child for listening
to the complete symphony. The fully illustrated
book includes a kid-friendly biography
of Dvorák in prose and in lyrics.
Once children know the lyrics, they can
listen with joy and understanding to the
complete symphony. The fully orchestrated
symphony is included on the CD
that comes with the book. For children in
the early elementary grades, it works best
to let them draw scenes from Dvorák’s life
as they listen. For the upper grades, a listening
guide for each movement helps to
identify the themes, the instruments they
hear, and the development of the themes.
Beethoven’s Fifth is another easy symphony
for children to listen to. It is only
35 minutes long, and the themes are easy
to distinguish. The theme for the first
movement is in Volume 1. Volume 2 has
themes for the second and third movements,
and the fourth movement can be
found in Classical Karaoke for Kids. The
complete symphony is not included in the
books, but any classical music store can
supply it for you.
Haydn’s Clock symphony is about a
mean cat, Adagio, who is trying to catch
a little mouse named Allegro. Of course,
Adagio will never catch Allegro because
Allegro is faster than Adagio! Classical
Karaoke for Kids has lyrics for all four
movements. The lyrics are humorous,
and children love to read with the lyrics
in the book. Then they are ready to listen
to a fully orchestrated recording of the
symphony.
Classical music is a “must” in any
home curriculum. Even if you do only the
basic theme recognition program, classical
music will enrich every area of study.
Introduce children to the very best when
they are very young. You’ll find it is easy
to do, and it will expand your horizons as
well as those of your children.
Please visit our website at www.classicalmagic.net.
As a retirement mission, Marjorie Persons,
with her husband Clyde, publish
books with CDs to make classical music
accessible to all children. Marjorie
presents workshops in both homeschool
and public school conferences. An experienced
teacher, she has majors in religious
education, elementary, secondary,
and music education, as well as English
literature. She and her husband spent two
years teaching missionary children in
Mexico with Wycliffe Bible Translators.
Copyright 2007. The Old Schoolhouse Magazine, Winter 2006-7, pages 60-61.
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