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Music is powerful. Recent studies
show it can help us study.
The Bible says it can soothe
us. But can it actually help the young
child learn?
Yes, says Linda S. Stoler, MA, CCCSp/L of Willinda and creator of the LinguaSong
CDs. She chats with us this
month about the power of music in early
learning.
TOS: According to the latest research,
when do children begin to learn?
MS. STOLER: A child’s ability to hear
sound develops early in the fetus. During
the third trimester, children can hear
melodies. By the time a child is born the
many sounds, rhythms, and melodies
heard as a fetus have prepared him for
the familiar sounds of his language. My
daughter played the LinguaSong Lullabies
throughout her pregnancy. When
Myles was born, she found it easy to quiet
him when he was fussing by playing the
songs. It works every time, even now
when he is 8 months old. Research has
shown that by one month, babies can distinguish
between sounds. Research supports
that by 6 months a child’s ability to
distinguish between sounds is a predictor
of language and literacy success.
TOS: What is your background and what
led you to your interest in this work?
MS. STOLER: As a child, I loved music.
I grew up in New York City learning
the words to every show tune on Broadway.
I played several instruments. I created
and directed musical theater out of
my garage with my friends in the neighborhood.
During my career as a speech/language pathologist, I began to search
for more creative ways
to help children learn.
In order to be denizens
of a new world, children
not only need to develop
their left brain, but need to
learn using their entire body,
mind, and spirit—thus the multi-modality
method. I use music, movement, and
manual motion or sign language to support
the learning of phonological awareness,
language, and early literacy skills.
The academic learning is invisible as
children learn with joy.
TOS: For our readers, what is phonological
awareness, and how do your CDs help
the young child develop this awareness?
MS. STOLER: Phonological awareness
is the ability to manipulate and distinguish
sounds. In 1966 I wrote my master’s
thesis comparing children’s ability
to distinguish sounds and their ability to
succeed in reading. I found a very high
correlation. In April 2000, the National
Reading Panel, a group of researchers,
college professors, reading teachers, administrators,
and parents, reported that
the critical components in learning to read
include phonemic awareness or the ability
to manipulate sounds, systematic phonics,
guided oral reading, and reading comprehension.
Phonological awareness has a
very high correlation to reading success.
My CDs are designed to encourage sound
and language learning through the use of
music. Children proficient in language
are more confident socially and scholastically
and more
likely to achieve in
school and ultimately in life.
TOS: You are the creator of the CD series
LinguaSong. Tell us about it.
MS. STOLER: The LinguaSong series
celebrates the wonders of language
through music, dance, song, and sign for
children beginning at birth through age 8.
My CDs originated as sound poems for
the individual phonemes of our language.
Each song highlights a phoneme, allowing
children to be bathed in the sounds
of our language. The songs also include
alliteration, rhyme, and repetition—very
important elements for literacy success.
The Teaching Guide accompanying my
third CD, Sounds Like Fun, contains extension
activities based on the No Child
Left Behind mandates for phonological
awareness, language, and literacy success.
Sounds Like Fun also includes songs
about concepts and the syntax or the
grammar of our language. We are wired
for both language and music. Learning
with music, movement, and sign language
allows for greater attention, focus, retention,
and processing of information.
The music, written and arranged by
Peter Wilder, an Emmy award winning
composer and songwriter, includes every
genre, from rhythm and blues to country
and western and Broadway ballads.
Willinda is working in association with
Vermont Public Television in an ongoing
effort to produce educational
tools in both audio and
video format.
TOS: You have
seen some impressive
results from the
use of these CDs with
young children. What has
the research shown?
MS. STOLER: We are in
the midst of a literacy crisis.
Research conducted by
the Carnegie Institute has
found that one quarter to
one third of our children are
not prepared for kindergarten.
Project Zero at Harvard University
and the National Commission
on Music Education both address the
exciting correlation between music and
higher cognitive and analytical skills, as
well as improved self-esteem and selfdiscipline.
Educators are finally realizing
the importance of giving children of preschool
age the necessary tools to prepare
for literacy success.
In 2003 I conducted a series of ninehour
training sessions for the Head Start
staff in Vermont. The training was based
on the No Child Left Behind mandates
for phonological awareness, language,
and early literacy. Teachers were given
pertinent research information plus interactive
songs, dances, and sign language
to take back to their classrooms of 3- to 5-
year-olds. During the year, children from
these programs were given individual assessments
three times. Data was collected
and compiled on a program-wide basis. A
25 percent increase in the area of phonological
awareness and language development,
the precursors to literacy success,
was seen over the prior year’s assessment
results. There is much research that suggests
that music and sign language support
early brain stimulation.
TOS: What are some ways parents can
create a language-rich environment for
their young children?
MS. STOLER: A trusting, healthy relationship
between an adult and child is
the foundation for a child’s rich, complex,
intellectual, social/emotional, linguistic,
and spiritual development. Parents
of babies birth through 18 months can
spend time talking about what is happening,
sing, listen, and move to a variety of
music using sign language and gesture.
They can imitate the sounds their baby
makes and add sounds such as “moo”
and “vroom.” A variety of games, such
as peek-a-boo and hand clapping, can
be played. They can point to objects and
name them, take turns as they play, spend
time looking into their baby’s eyes, and
read books. For children 18 months and
older, parents need to be open to their
child’s ideas, share diverse experiences,
encourage conversation, listen, read poetry
and stories, support exploration of
nature and art, and stimulate expression
through music, dance, and sign language.
It is essential to have fun together!
TOS: Could you briefly fill us in on what
you have been doing recently?
MS. STOLER: I have produced another
CD since Sounds Like Fun and a video
of American Sign Language to accompany
the Sounds Like Fun CD and teaching
guide. My new CD is called Literacy
Rocks! It is a collection of hot rockin’
original songs designed to support and enhance
phonological awareness, language
development, and early literacy success
for children ages 2 to 7 years. I now live
for six months in St. Augustine, Florida,
where I conduct training for teachers and
administrators of preschools throughout
the state. My five-hour literacy course has
been approved by the state.
TOS: Thanks for these great reminders.
The simple things we do with our little
ones are so important! I trust this discussion
has been helpful to our readers.
If you would like to learn more about
Ms. Stoler, her CDs, or setting up training
on the Multi-Modal Approach to
Phonological Awareness, Language, and
Early Literacy in your area, please go to
her websites at www.willinda.com or
www.lindastoler.com, contact her directly
by phone (802-777-4299) or email
(willinda@pshift.com) or write to her at
PO Box 182, Jonesville, VT 05466.
Copyright 2006. The Old Schoolhouse Magazine, Spring 2006, pages 108-110.
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